Deadeye (Luce Hansen Thriller Book 3)

– by Meredith Doench

 

After having read Books 1 and 2 of Meredith Doench‘s utterly engaging “Luce Hansen Thriller” crime series, which I thoroughly enjoyed, obviously I HAD to read its 3rd installment, “Deadeye!” Speaking of Doench, it was thanks to Jeannie Levig who first recommended her series to me when we talked about dark lesfic crime thrillers. Otherwise, I wouldn’t have known and would’ve missed an opportunity to explore Doench’s brilliant crime writing style and plot weaving in lesfic! For me, her style is reminiscent of James Patterson and Thomas Harris’, which is my cuppa tea. Needless to say, Doench’s 3rd installment continued to showcase her crime/thriller writing skills in crafting yet another intriguing case, not to mention, her insights into the ongoing development of Hansen’s emotional and psychological journey as she continued her efforts to juggle her work with her personal life better this time. One swift read later, yup, this one’s my favourite installment of the series, yet.

Obviously, I have to comment on the captivating book cover! Feast thy eyes: A scope target. Fixed on a Celtic cross. Red all over. Interpretation: Danger. Insidious. Deadly. Sniper. That’s the story. Right there. Staring at me. Who wouldn’t be curious? Well, I was! And as I explored the story, I was immediately struck by its symbolism. Well done!

Because Doench also included Hansen’s private life which she first developed in “Crossed” (Book 1), continued growing in “Forsaken Trust” (Book 2), including her romantic relationships/entanglements, there was no reason she wouldn’t further advance Hansen’s relationship with her current partner, Bennett (first introduced in “Forsaken” not merely as Hansen’s love interest but played a major role in investigating and solving the featured case), in this installment. So, even though, like other crime serials, the Luce Hansen series is a procedural, meaning each installment can be read as a stand-alone, I’d personally advise readers who haven’t read the previous two books, to do so, IF you’re also interested in the chronological development of Hansen’s private life besides the case-of-the-week plot.

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Bitter Sweet Revenge

– by Donna Jay

 

Donna Jay‘s latest, “Bitter Sweet Revenge,” is a real page-turner! I read it in one quick sitting. It’s a real departure from her previous work and I applaud her for that! It is unlike any other book of hers, in story, in type, in tone, and in style. This book is about the trials and tribulations of a young woman who lost her innocence and naïveté on the most promising day of her life. That fateful day that would forever change how she viewed the world around her. Harrowing, intense, reflective, contemplative, Katie’s road to facing her fears, obtaining peace, truth, reconciliation and ultimately experiencing the beginnings of love and hope was paved with delicate care and sensitivity, constructed at a deliberate pace. I was moved and captivated by Jay’s honesty and conviction in weaving a story that felt utterly personal, inspiring, resonating, deeply relevant and thought-provoking.

Bullying – Fear – Trials and Retribution – Self-Discovery – Self-Reflection – Self-Actualisation – Facing the Truth – Coming Out – Letting Go – Moving On
….& Finally…

LOVE + ROMANCE + TRUTH + HOPE + POSITIVITY

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Compass Rose

– by Anna Burke

After a captivating read of Anna Burke‘s latest novel, “Thorn,” obviously I HAD to read her debut work, “Compass Rose.” The critics were right. By gosh, what a fantastic, thrilling, captivating ride indeed! This swashbuckling action-adventure where I got to read about pirates, mercs, and the military all converging in the high seas (not to mention monsters!), marking their territories and warring for more was exceptionally depicted with persistently vivid visualisations of each and every situation, environment, surroundings, all described with such realism that I was transported to every scene that Burke created, like I was there meself, observing every action and sequence….virtually!

Burke’s “Compass Rose,” at times, was reminiscent of Jules Verne’s classic sea voyage adventure literature, “Twenty Thousand Leagues Under The Sea,” and at times reminded me of “The Pirates of the Carribean,” for me. Except, Burke’s voyage was infinitely better for me, imho, because of many factors, namely, all the badarse, kick-arse leading characters were WOMEN! Bloody hell YES! Having expressed just how much I loved Burke’s literary, lyrical writing style in “Thorn,” Burke continued to impress me to no end with her brilliant knack for creating a glorious sense of music in her richly descriptive, heart-tugging words in every scenario and dialogue/monologue that somehow transformed into lyrical notes in me head as I read on!

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